Mad world gary jules letra
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“Melon Cake” finds her refusing to be served any more cakes made of fruit by those who sought to control her weight. She celebrates her pansexuality to the upbeat strum and breathy sighs of “The Kind of Lover I Am”, where she sings that it “doesn't matter if you’re a woman or a man… or you could be anything in between/ I might not believe in monogamy” but still offers to “hold you, console you, really get to know you/ with the passion of a one night stand”. And “Lonely People” has a properly walloping tune, with lyrics that acknowledge the pain but see Lovato refusing to wallow by “dancing at a pity party”. There’s the sweet “ICU”, written for the sister she couldn’t actually see after waking up blind from her overdose. But its message about the escalation of drug abuse does seem at odds with her later embrace of moderation (instead of abstinence) on the breezily forgettable “California Sober” (a term popularised in 2019 to describe giving up harder drugs for softer ones). As she describes how “a little white line” can lead to a “little glass pipe”, her subtlety of tone suggests that Lovato – like Lady Gaga – could smoulder rather gloriously if given some jazz standards to play with.
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Now that Disney is selling “difficult women” it’s hard to know how she could win.)įrom “Anyone”, she slinks into the sultry, organ-backed addiction-romance of “Dancing With the Devil”. (Although I wonder if she also still sounds like a modern Disney princess, emoting her on-brand empowered ire in the most perfect places, like Frozen’s Elsa. But the record is a long, mostly mid-tempo journey, which chugs along with melodies and easygoing arrangements that don’t reliably rise to the meet the challenge of the powerful story Lovato has to tell. There’s no doubting the emotional authenticity of Lovato’s words and delivery. The candour of the docuseries was so striking that, by contrast, the conventional pop of the accompanying album can seem a little underwhelming. Lovato’s clear explanation of her behaviour is likely to help many. This is a common response by victims of sexual abuse as they try to reclaim power, but one that often leads to silencing shame. She’s also spoken about later initiating sex with both her rapist and the drug dealer who assaulted her after she was incapacitated. She lays into Hollywood culture, which pressured her to be thin, chaste and sober while taking no action against an actor who she says raped her. And in her powerful new docuseries, Dancing with the Devil, she’s frank about the drug addiction that led to her overdosing on heroin laced with fentanyl in July 2018.